Exhibitions

Solo exhibitions:

2017    Art Noir   Fabien Fryns Fine Art, Marbella, Spain

2016   The Art of Thought   The Cob Gallery, London, UK 

2015   The Art of Thought   Galerie Sébastien Bertrand, Geneva, Switzerland

           Screenshots   Galerie Sébastien Bertrand, Geneva, Switzerland

2014   Plein Air 2013   Galerie Sébastien Bertrand, Geneva, Switzerland

           Witch Way?   Galerie Sébastien Bertrand, Geneva, Switzerland

2012   The Poacher   YIA Art Fair, Galerie Sébastien Bertrand, Paris, France

           The See   Galerie Sébastien Bertrand, Geneva, Switzerland

2010   Expedition   Galerie Bertrand & Gruner, Geneva, Switzerland

2009   Shore Leave   Paradise Row Gallery, London, UK

2008   Soho Solo Exhibition: One Artist – One Picture   Gerry’s Club, London, UK

2007   Le Rivage des Syrtes   Riflemaker Gallery, London, UK

 

Group exhibitions:

2016  Summer Show  Galerie Sébastien Bertrand, Geneva, Switzerland

2015   Atelier: The Art of Representation  LARA, London, UK

           Works on Paper  Galerie Sébastien Bertrand, Geneva, Switzerland

           Artgenéve 15  Art Fair, Galerie Sébastien Bertrand, Geneva, Switzerland         

2014   Artgenéve 14  Art Fair, Galerie Sébastien Bertrand, Geneva, Switzerland

2013   Artgenéve 13  Art Fair, Galerie Sébastien Bertrand, Geneva, Switzerland

2012   Artgenéve 12  Art Fair, Galerie Bertrand & Gruner, Geneva, Switzerland

2011   Portrait: Cabinets de curiosités  Galerie Bertrand & Gruner, Geneva, Switzerland

2010  Volta Basel Art Fair, Galerie Bertrand & Gruner, Basel, Switzerland

 

 

MANGA

The word manga refers to the Manga by the legendary Japanese artist Katsushika Hokusai, defined by him as ‘Brush gone wild’ and not to the contemporary story-telling manga, as the drawings in the work are not always connected to each other. It’s a mix of automatic drawings redrawn to look presentable after the initial outburst of creativity, straightforward life studies, and improvisations based on photographic images which happened to attract my attention for one reason or another.

 

 

THE ART OF THOUGHT: PORTRAITS OF KNOWN AND UNKNOWN PHILOSOPHERS

THE MIND – the most potent tool known to mankind. It is used by the philosopher to ponder metaphysics and by the artist to create visual images that lead to thought and inspiration. So it is only fitting that the two fields of human endeavour should be brought together as friendly bedfellows. Kaprielov has done just that. His extraordinarily agile and, yet, very precise brushwork has conjured up on canvas a collection of some of the most influential thinkers of centuries past so that we may retain a modicum of cognition, lest we forget the contribution that these fellows have made to the development of humanity throughout history, leading us to where we are now. In most of the paintings the ice-cold precision of the philosopher’s outlook is nicely balanced out with the warmth of palette. During his formative years, Kaprielov spent countless hours in Leningrad’s Hermitage Museum contemplating somewhat yellowish old master works and came to firmly believe that a truly good oil painting should be yellow.

 

PASTEL DRAWINGS

A mix of disparate elements, expected or unexpected, is always justified by a deep-seated logic of Kaprielov’s secret iconography.  His works leave us with the impression of witnessing another level of reality – a mysterious sequence of exchanges, the exact meaning of which, like in remembered dreams, we have difficulty pinpointing. A great deal of the imagery is war related, and is, perhaps, an attempt at an allegoric representation of the perpetual battle we face in the quotidian. Despite most of his drawings being self-contained, finite compositions, a lot can be gained by viewing them in sequence, not unlike frames of a graphic novel. In the 20th century the most sophisticated techniques of visual representation in European art have found a home in commercial and propaganda illustration. Kaprielov, who was trained at a Soviet art school, displays them at their best.